The fifth floor Living Room at W Downtown boasts a showpiece ceiling, an attention grabbing sculptural canopy of Calatrava-style ripples. It even changes colors. But since the introduction of the hotel’s Artist in Residence program in December 2018, the ceiling is getting serious competition from the room’s charcoal walls, or to be precise, what’s hanging on them. Read more
If you’ve ever stopped by the art-filled Surrey Hotel on the Upper East Side, you’ve probably noticed Graffiti Armoire, a curvy legged, scrawl-covered antique chest that stands near a commanding Chuck Close tapestry portrait of Kate Moss.
The sassy black and white cabinet was created by the Swedish-born design team of Jimmie Karlsson and Martin Nihlmann, aka Jimmie Martin, and is usually closed. But for now, a door is flung open, revealing a slick chili pepper red interior and a glass shelf holding a distinctly uncherubic silver cherub checking his flip phone. Dubbed Cardinal NYC, he sports a cigarette, a red skullcap, a cross dangling from a heavy chain and wings. Read more
If you find yourself in Algonquin country, ie West 44th Street between Fifth and Sixth avenues, between now and March 31, do yourself a favor and stop by the famed hotel. For the second time in two years, more than 30 characters hailing from Hollywood, Broadway and the hotel’s storied Round Table days gaze down from above the wood paneling in the lobby and in the adjoining Blue Bar. Read more
If you last visited the Sherry-Netherland hotel two or three decades ago – or even early last year – expect a jaw-drop moment when you next enter the lobby.
For nearly 40 years, the lobby ceiling – a parade of graceful arches stretching what seems a mile high – was white. Generations passing through assumed it was always so.But history buffs, Art Deco enthusiasts and Sherry aficionados with long memories (and even longer lives) know otherwise. Read more
At its debut last fall, the hotel touted the flexibility of video art and announced the wall’s content would change like an art gallery, veering from original work commissioned by the hotel to pieces from, well, any era.
We’ve heard that one before, but the Quin meant it. When I stopped by this past weekend, the wall’s content was once again different from my previous visits. Read more
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